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Cool group of people always -- Saturdays seems to bring in the older crowd, and some tourists (its on a very popular streetcorner for crying out loud). Upstairs seemed to be more of the young hipsters, a lot of drunkeness, socializing, sitting to techno/electro. Downstairs in the basement however, is much more arty, experimental, and underground. There's live performance art, experimental film projects, sound-mashing dj's and eclectic bands. Tonight, you have a dimly lit area with a dark curtain separator, a few dozen stools, film projector and in the middle of the room, a rotating steel disc embedded in the concrete floor -- brown and rusted and squeaky, this merry go-round serves as the dance floor for the energetic and enthusiastic who writhe to the tunes of modern jazz-indie fusions. Onlookers on the outside, those tired of dancing or a notch too timid to get into the action themselves, contribute to the energy and vibe by pushing the disc round and round while the dancers bust headstands and just do whatever natural improv movements they feel during the 6, 7 and 8 minute songs played.
The Entire basement hallway is covered in graffiti - and the bathroom is where you'll find a more intense concentration. Not wanting to look like a pervert or just weird, BUT wanting to get some real graffiti samples for some projects I'm working on, I locked myself in a stall and snapped away. It's really crazy how its everywhere, and it's actually promoted. There's even a documentary on bathroom graffiti featuring this place.



Above is the Whitechapel riots, taken place on the street I bike almost dailiy to get groceries in the early 1900s, when working-class men blockaded the street to prevent a labor strike from marching through. You see the suits fleeing for their lives as the police decide that they're not playing nice with the blue-collars.


Not much to say really...A very eclectic ensemble with 2 (sometimes 3) vocalists, keyboard/electronics guy, trumpet, trombone, and all the usual pieces of regular bands -- kinda reminiscent of a modern big-band era thing. Very jazzy, wonderful pieces.


Also, Watch the guy in the audience in the bottom left of the video...the guy in the white shirt. You're welcome.
So this is the THING that everyone is seeing right now in London, this huge installation in a sporting arena/theatre sized room, with a huge red alien structure, alien spider, and huge cat skeleton next to a huge bitten apple....not sure the significance, but with the bunkbeds it's supposed to signify the fear people experience with the apocalypse. People are allowed to touch, sit and lie down on the beds to look at the space or watch the odd film playing, or even read the books lying around some of the beds (all with the theme of fear and the end of the world: War of the worlds, 1984, etc).



A gruesome, zombie-like portrayal of rich people eating lobsters at expensive restaurants.
Each color is a different message. I thought yellow was interesting:
Not exactly what I expected, but there's a few good things in there.
This piece above is titled something along the lines of "Angels and Demons," a depiction of the battlefield between Heaven's guardians and the infantry from Hell. Interesting idea, and I like the caricature style, as well as the colour palette, but unfortunately couldn't exactly convey that here. What was odd to me, though, is the fact that the angels are fighting...not so fiendish-looking devils. So I might have the title mixed up on that one.
I love the facial expressions in this piece, especially in the center portion that I've posted above. The devilish face of anticipation of the greedy, fat monk (stab at the Catholic regime, possibly) compares nicely to the grotesque face of the guard to the right of him, who looks kinda like Disney's Goofy. Sounds like a pretty good art project. To get disney characters to look like real people, whether it be because of physical deformation or plastic surgery. Donald Duck should be intesting. Wow so on that topic it could be a book cover for "The Island of Dr. Monreau" (took me a while to search for the title of this book that I read in 7th grade, only armed with the keywords "animal, ""people," "surgery", and "doctor")



Saw a bunch of Yellow-Jacketed Ambulance workers and Policemen surrounding a body in the middle of the road on my bike ride home from Brick Lane. As I slowed by, the paramedics were zipping up a bag over his chest; no car, no bike; looks like a drunken pedestrian struck by a hit-and-run. Before I could catch a glimpse of his face, I heard screaming and saw a group of 7-8 kids running on the opposite end of the sidewalk, mostly african-english, sprinting down away from me, turning into the street right before my flat, in front of the police station. The pack of kids were being chased by a guy in his late-20s, lugging his coat and office bag, screaming that he's been robbed and pleading for someone to call the police, running but stumbling behind the youngsters. It was daylight savings by the time I got home - receiving a gift of an hour at 2:00am.
Walking around Brick Lane around 2am, most bars and venues of inebriation are shutting down, early -- but supposedly typical of the city. Drunken trios, double-dates and dude-couples are staggering through the streets, announcing their presence with two noticeable medical symptoms: lack of voice control or alcoholic voice amplification syndrome, and Tourettes, given the slurring and swearing. You can hear the soft echoes of the clumsy tapping of impaired footsteps down the Lane's recently rained stone-mosaic sidewalks, neon-lit by Mediterranean restaurant signs.
About two blocks from the designated terminating-end of this alley of carelessness and enjoyment, I almost run into someone turning onto Brick Lane at the streetcorner. If it was an aggressive bum or a mugger, I would have surely been in a less than opportune position. But the stranger isn't intimidating, it's not even at shoulder-height: it’s a child. A young girl, no more than 14 years old, her round head draped in a pink hibjab, eyeballs tethered to the kaleidoscopic screen of her Gameboy DS. She's completely shut off from the world about her, a manifestation of purity and innocence in this dark, dirty, drunken landscape lurking with jolly drunks as well as typical sketchy night owls.
While she's got digital blinders on, she's not oblivious, as she turned around the street corner, she was able to navigate and whizzed around me without moving her head or eyeballs; maybe she gets her autopilot sense from a cab-driving father. I wanted to somehow tell her to go home, or ask her where her parents were, but she was walking quite fast for someone with short strides, and was the size of a pink gummi bear while I was still thinking what I should do, or say. I'm still wrapping my head around the fact that theres CHILDREN on this block, at this time, while she marches with her slouched head and slumped shoulders drawn into the light glowing from her Gameboy, her beacon to the end of the tunnel of sin and darkness.
There's a large Muslim population in the area, evident in the apartment complexes as well as the restaurants, fast-food kebab joints, and the late-night hosts grabbing liquor behind off-license counters. But I still wonder what she was doing out so late, by herself, and how common it might be to see kids that young running about at night in the city. And I wonder if its more of a subconscious defense for her to be completely mesmerized by her DS, to block out the sin about her, masking her eyes with the colorful popping graphics by Nintendo programmers.